Tales from a Boston Customs House: “Worthy” Suffering

By Sarah Johnson ’15

Despite Francis Clarke’s argument that men who suffered in exceptional ways, such as amputees, were regarded as national martyrs and held up as the emblem of sacrifice to the nation, this argument cannot be applied wholesale to all exceptional sufferers in the post-war North. Although men who lost limbs in battle were often remembered in terms of glory and treated as national heroes, those who suffered in non-heroic ways, such as prisoners of war and the victims of non-combat related accidents, were often treated as less deserving of honor.

Brian Matthew Jordan, discussing amputees, argued that the empty sleeve of the veteran itself embodied the idea that he has termed the Won Cause, a counterpart to the Lost Cause tradition. Within the Won Cause, veterans had not lost their arms, but instead sacrificed them for a just cause. The sight of a pinned-up sleeve noted the bearer’s integral role in a moral cause. And yet, the way in which a veteran suffered might shift the way he was perceived in society.

Andersonville

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Tales from a Boston Customs House: “Living Monuments”

By Sarah Johnson ’15

The image of the amputee is a classic one in the memory of the American Civil War. Francis Clarke has argued that the long-suffering and sacrificial Union amputee became a national martyr to the righteousness of their cause. While this view was manifested in various ways throughout the postwar North, the case of double-arm amputee Lewis Horton serves to give depth insight into–and possibly push back against–this argument.

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Tales from a Boston Customs House: Recovering from Trauma

By Sarah Johnson ’15

After losing both arms in a gunnery accident aboard the USS Rhode Island in 1863 and being told he would not live, Medal of Honor recipient Lewis Horton resolved that he would recover and be with his family again soon. The double amputation, completed within an hour of the accident, was successful, but Horton lost a significant amount of blood and could merely wait and hope. Eighty days after amputation, the ligatures — cords left in the limb to hold arteries closed until they had sufficiently healed — were removed, and healing commenced quickly. Shortly after, he was discharged and the process of learning to live as a double-amputee began.

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“Lincoln: The Uncertain President”

By Avery Lentz ’14

Many historians who study the United States share a passion for studying Abraham Lincoln’s intricacies and complexities. One of those historians is none other than Dr. Allen Guelzo. Dr. Guelzo has given many lectures on Lincoln, the most noteworthy of which is his four-part lecture series on the President’s life. On January 28, 2014, Dr. Guelzo presented a lecture in Gettysburg College’s Kline Theatre called “Lincoln: The Uncertain President”. The lecture was primarily focused on Lincoln’s rise to power, starting with his debates with Stephen Douglas to the issuing of the Emancipation Proclamation. Dr. Guelzo’s main theme throughout the lecture was showing how Lincoln, during the early years of the Civil War, was confronted with a situation that no president had ever dealt with before. Lincoln was new to the presidency and a war of secession was new to the country.

Lincoln

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Theater of War: Booth and Beyond

By Val Merlina ’14

Lastly, we come upon perhaps the best known actor of the Civil War era, John Wilkes Booth. Of course, the reason memory allows us to recall the name is not because of the merits achieved through his profession, but rather because he murdered the elected executive official – United States President Abraham Lincoln. Booth, a product of a theater family, was a dramatic, eccentric, and impatient being. He wanted the leading roles, did not want to prepare the role, but to simply play the role. His brother, Edwin Booth, a talented poetical performer, one might deduce, did prepare for his roles, as he performed the role of Hamlet for one-hundred shows straight in New York City during his career.

JW Booth

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Theater of War: Combining Entertainment and Art

By Val Merlina ’14

Did the theater work to benefit the causes for north or south, dependent upon region? Sautter stated that this phenomenon was less common than many might expect. Many actors stated their neutrality, or as one Civil War era actor said, “I am neither northerner nor southerner.” Still others simply responded to the war by leaving the country. One must consider the “clannish nature” of theater of the time in order to understand how actors could have taken the neutral role during a war of ideals: many actors were born into theater life, therefore did not grow up in any one city or region, and furthermore lived a life separate from the outside world where harsh realities allowed for the existence of slavery and social oppression.

C Cushman

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Theatre of War: A Witness to Love, Tragedy, and Parody

By Val Merlina ’14

Central to American nineteenth century life was the theater. As the fratricidal fighting of the American Civil War broke out and divided the nation, this centrality remained, and audiences crowded into the theaters. For both north and south, the theater provided an outlet through which Americans could enjoy plays, performances, music, and variety shows that appealed to all social classes of American society. However, in order to understand the operations of theater companies during the war itself, it is first essential to examine the state of the theater as a concept during the mid-nineteenth century, and in the pre-war years.

Merlina

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“Out of Rubble” Comes Hope for Recovery

By Avery Lentz ’14

January 23, 2014, marked the opening of the exhibit “Out of Rubble” that features the work of eighteen international artists from more than ten countries. The show examines the complex issues and contexts surrounding war — from causes and consequences to the possibility of recovery. Prior to the exhibit’s opening, three professors from three different colleges gathered in Gettysburg College’s Kline Theatre for a symposium — a lecture that discussed the paintings and photographs that grapple with the aftermath of war. All wars have shown destruction and death, but how have these themes lingered through time? How have they changed from war to war?

Lentz 2

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What a Semester! #greatwork

By Natalie Sherif ’14

During the Fall Semester, Civil War Institute Fellows spent at least 400 collective hours researching and writing a wide variety of blog posts for The Gettysburg Compiler. Our Fellows read about individual veteran soldiers, attended Gettysburg College campus events, and participated in Sesquicentennial commemorations to truly immerse themselves in Civil War culture—both past and present. Our Fellows covered campus events, examined artifacts in Gettysburg College’s Special Collections, analyzed President Dwight D. Eisenhower’s time in Gettysburg, and studied veteran amputees during and after the American Civil War. Before we look to a new semester of student research, let us recall some of our original student scholarship, in case you missed it the first time around.

CWI Fellows 2013-2014

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Heckman’s Hidden Heroes: Battery K, First Ohio Light Artillery, 11th Corps

By Brianna Kirk ’15

The corner of Lincoln and Carlisle Streets is home to a frequently overlooked historical monument on the Gettysburg battlefield. Located on the campus of Gettysburg College, many students walk past this monument dedicated to Battery K of the 1st Ohio Light Artillery every day and are unaware of the significance of its placement and the story behind the words etched into the majestic Light Quincy granite stone. Battery K’s story, though only lasting a mere thirty minutes during the battle, surely should not go unnoticed.

Ohio%20monument

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