No, Trump’s Election Does Not “Feel Like the Fall of Reconstruction”

By Jeffrey Lauck ’18

On January 20, 2017, Chief Justice John Roberts administered the presidential oath of office to Donald Trump, making him the 45th President of the United States. Many Americans have variously perceived his election as “unprecedented,” “revolutionary,” and “terrifying.” Some historians found the turn of events leading up to and including Trump’s election to be rather familiar. In November, the Huffington Post ran a story titled “It Feels Like the Fall of Reconstruction.” In it, University of Connecticut professor Manisha Sinha outlined the parallels between 1877 and 2016. On Facebook, I have seen many of my liberal friends weigh in with similar analyses. This evaluation is misguided. To compare the rise of Trump to the end of Reconstruction is to undermine the chaos, violence, and widespread racial ambivalence that defined the Gilded Age.

Then-candidate Donald Trump campaigning in Fountain Hills, Arizona in 2016. Via Wikimedia Commons.

In a broad scope, it is not difficult to see some similarities. By and large, the end of Reconstruction was brought about by rising indifference among white liberal Republicans toward continuing Reconstruction. Support for federal occupation of the South was growing stale ten years after Appomattox, and economic woes in 1873 distracted many business-minded Republicans from continuing to advocate for black civil rights in the South. In the election of Trump, perhaps we can see a parallel in many white voters’ ambivalence to candidate Trump’s pejorative statements on women, people of color, Muslims, and queer Americans as well as his prospective policies that would harm these groups. The majority of Trump voters likely did not vote for Trump because of these statements or policies, but they were at least indifferent enough toward them to vote for him anyway. Continue reading “No, Trump’s Election Does Not “Feel Like the Fall of Reconstruction””

Tributes to Terror: The Mis-Monumentation of the Colfax Massacre

By Matt LaRoche ’17

Recently, I contributed a piece called “Days Gone By, Days to Come: Monuments and the Politics of Peace” on the political teeth with which monuments are often imbued (or are deliberately denied). While I do not intend to ramble on about this issue—I hope that the previous piece will do enough to inspire readers to take a critical eye to any monuments that they cross in the future—I felt that one more story of poor documentation deserved illumination. The context: as Charles Lane chronicles in his book The Day Freedom Died: The Colfax Massacre, the Supreme Court, and the Betrayal of Reconstruction, on April 13, 1873—Easter Sunday—the racial and political tensions already boiling in Reconstruction-Era Louisiana burst into decisive, open racial warfare. On that date, the Colfax courthouse in Grant Parish was stormed by a mob of white Democrats who, in a final bid to resolve the question of which party’s candidate had won the 1872 gubernatorial election, shattered the trench lines around the courthouse with small arms and a small cannon. Defending the courthouse were hundreds of freedmen and white Republican officials who had fled into Colfax from the countryside as racial violence had grown increasingly prevalent and organized. Most were refugee women and children. By massacre’s end, three whites and up to one hundred and fifty freedmen lay dead. A PBS documentary on Ulysses S. Grant reports that “nearly half [the victims were] murdered in cold blood after they had already surrendered.”

In the century and a half following the events of that Easter Sunday, the victims of Colfax have not been allowed to rest. Their memory has primarily been ignored or bent toward political ends, usually by those who couldn’t care less for the massacre’s victims of white supremacy. The site’s monuments reflect this. Perhaps there is no more abhorrent example of blood bound to stone for shallow aims in all of U.S. history. Continue reading “Tributes to Terror: The Mis-Monumentation of the Colfax Massacre”