In her memoir Nurse and Spy in the Union Army, Sarah Emma Edmonds, a woman fighting in the Union Army disguised as a man, employed florid diction and a subtle romantic flare to illustrate an emotional and confounding moment in the aftermath of the Battle of Antietam: discovering another woman undercover. Edmonds writes of the “pale, sweet face of a youthful soldier,” of a boy trembling from blood loss who, she knew, had only a few more minutes on earth. He tasted his last sip of water, and with his remaining breaths the soldier beckoned Edmonds closer and uttered a secret: that he was really she, a woman who had enlisted and seen her brother, her only family, die upon the same field just a few hours before. The soldier confessed to being a devout Christian and asked only that she be buried by Emma, so no other might discover her true identity. She then died, “calm and peaceful.” Emma obliged the soldier’s request and buried her beneath a mulberry tree; she would be separated from her fallen comrades but rest upon the same field. Emma wrote of the woman soldier, “There she sleeps in that beautiful forest where the soft southern breezes sigh mournfully through the foliage, and the little birds sing sweetly above her grave.”
Through the lens of gender or feminist criticism, which analyzes the social and political status of women as well as their relationships within and without their gender, this is perhaps the most evocative and compelling anecdote of Edmonds’ memoir; not only is the fallen soldier made a romantic hero by the overwhelming, illustrious language, but the interaction between Edmonds and the unnamed is depicted as one between two women, not two women pretending to be men. Essentially, Emma reverts back to her true gender–her truest self–in this instance, and it is clear that the anonymous soldier found, in choosing to reveal her secret upon her death, solace in her womanhood.